For this concert Elizabeth Reian will play premieres by Martin Shcreiner of Harvard; Tufts’ grad composers Wei Yang and Cagdas Donmezer; as well as a duet for two shakuhachis by John McDonald; and a traditional piece. Composer and shakuhachi player Chris Molina also will appear with New York shakuhachi artist Marco Lienhard in pieces he has created.
The pieces we’ll be playing span traditional, to modern and contemporary. So expect to hear cranes, see birds of paradise, and hear new ideas and imagination at work. You’ll also hear three shakuhachi players from different genealogies, with different playing styles, a unique experience at Tufts.
Distler Hall, Granoff Music Center, 20 Talbot Ave., Somerville. Info: (617) 627-3679
As an experiment, Tufts University’s Music Department will have an all-night round of concerts on Friday, March 28th, and this is one. In Japan, Sokaku Reibo, or Nesting Cranes, is usually played in ten to twelve minute excerpts culled from the main piece, as it lasts 45 minutes when played in its entirety. Multiple repetitions are skipped, as well as major parts of the composition, and the whole nature of the original is essentially unknown. Tufts’ Elizabeth Reian Bennett, shakuhachi Grand Master, will present a first full performance of this piece since the 19th century.
The sacred crane, symbol of happiness, vocalizes and dances throughout the day, and both sexes rear their young. In feudal times, only one crane a year was allowed to be killed, as a gift for a special feast for the emperor. This piece is a description in sound of the calls between the parent cranes and their nestlings, set among the leaping and prancing of the flock, and the lisp and suck of the marsh mud.